Dance Star Matthew Ball on Demanding Parts and Social Media Scrutiny: 'I'm Not Protective About My Body'
Within the quiet ambiance of a lounge near London's Royal Ballet, Matthew Ball orders a mint tea. The dancer's carriage is effortlessly upright, his arms defined beneath a simple tee. During performances, dancers can appear like mighty deities, yet frequently in person they are small. This is not true for Ball, whose tall stature is part of his demand for heroic roles and partnering. Possessing fine traits and piercing eyes, there's a touch of a brooding actor about him.
A Seamless Ascent to the Pinnacle
Now 31, Ball is enjoying the peak of a career that has advanced smoothly. Raised in Liverpool, he encountered little teasing for his childhood passion in ballet. Joining the Royal Ballet School at 11, he graduated directly into the troupe and was advanced each year, attaining the top rank of principal in 2018. He has relished tackling meaty dramatic roles, especially the psychological angst found in a famed choreographer's ballets.
"Your breath is short, your legs get heavy, but it’s really a mental fatigue."
His upcoming starring appearance is as himself, in an "Evening With" event designed to offer intimate perspectives into a dancer's craft. He will guide the audience through a role, showing his mental workflow during execution. Even in lighter works, the challenge is significant. "Don Quixote is one of the most demanding technically," he states.
The Psychological Game and Post-Performance Feelings
What about after a show, when he has succeeded? "It feels pretty good," he admits. "However because I'm trying to squeeze all the juice out of it, and get lost in the character, quite often I do feel self-conscious later. After an intense role I'm always thinking: Wow, what must people think?"
In person, Ball is thoughtful, polite, and quick to laugh at himself. But a dance maker previously observed on a "sense of suffering in him." Does this exist? "I am very energetic usually, but I do have a dark side," he reveals. "I somewhat enjoy pessimism sometimes. I've always felt that doubt has been an catalyst for positive change."
Early Drivers and Artistic Influences
Ball's determination originated in youthful experiences. Not excelling in contests at school made him "driven!" It was fuel to demonstrate he could succeed. Discovering the book *Mao's Last Dancer* was a "pivotal" moment. "It flipped a switch, it made me go a bit fanatical," he recalls.
An upcoming endeavor is making his own dance works. In his view, "there's nothing wrong with." "Challenging the rules is compelling, but just acting that they’re not a reality any more – I don’t know how far you can go with that." He wants his work to be filled with meaning, drawing inspiration from books, compositions, and art.
Intimate Performance and Private Partnership
He also favors staging dance in more intimate spaces. "It was just really thrilling," he says of a past show. "You’re so near to the audience. I felt as if they were thinking: 'That’s a human, and they’re perspiring.'"
Ball has made pieces with his girlfriend, fellow lead dancer Mayara Magri. The degree of trust between them is evident. "We tried it out on the beach first," he says of a audacious lift. "It resembled Dirty Dancing." They are not typically paired on stage at their home company, which is perhaps healthy. "We’re both quite determined people, so it’s not always smooth sailing," he admits. "But I feel like we’re each other’s favorite supporter."
On Social Media and Bodily Image
On social media, fans can see videos from his dance films and images that highlight a athletic form. Does he mind that the response can be a bit objectifying? Not particularly. "The body is just what we use, so I don’t feel very protective about it," he explains. He compares it to viewing Michelangelo’s David—something that can be interpreted on various ways.
Ball describes his younger self as "eager for success." Did it lived up to his expectations? "I am conscious of how reality is a different thing to the aspirations you made as a young person," he muses. He likely has another decade of performing ahead. "I guess in the time to come, I want to be a bit more kind with myself."